M. Evening / М. Ивнинг | Adobe Photoshop CC for Photographers / Adobe Photoshop CC для фотографов [2013] [PDF] [En]
#777 Автор: M. Evening / М. Ивнинг Название: Adobe Photoshop CC for Photographers Год: 2013 Издательство: Focal Press ISBN: 978-0-415-71175-3, 978-1-315-88432-5 Отрасль (жанр): Photoshop CC, обработка фотографий Язык: английский Формат: PDF Качество: Изначально электронное (ebook) Страниц: 792, цв. илл.
Описание: Справочное руководство для профессионалов по обработке фотографий в Photoshop CC. Расмотрены такие вопросы, как - работа с объектами, слоями, добавление/удаление различных эффектов и др. Книга подойдет как владельцам Windows, так и Mac операционных систем.
1 Photoshop Fundamentals Photoshop installation
The Photoshop interface Creating a new document User interface brightness Tabbed document windows Managing document windows Synchronized scroll and zoom Image document window details Title bar proxy icons (Mac only) Info panel status information Rulers, Guides & Grid 'Snap to' behavior Pixel Grid view
The Photoshop panels Panel arrangements and docking Panel positions remembered in workspaces Customizing the menu options Customizing the keyboard shortcuts Task-based workspaces Working with a dual display setup AdobeЄЗА Configurator 3 application
Photoshop CC Tools panel Options bar Tool Presets
Selection tools Color Range Modifier keys
Painting tools On-the-fly brush changes On-screen brush adjustments Brush panel Brush panel options Pressure sensitive control Brush tool presets Mixer brush Bristle tip brush shapes Load/Replace Swatches from HTML Hex Field
Tools for filling Tools for drawing
Image editing tools Move tool Layer selection using the move tool
Navigation and information tools Zoom tool shortcuts Hand tool Bird's-eye view Flick panning Windows Multi-touch support Eyedropper tool Ruler tool Rotate view tool Notes tool Count tool
Screen view modes Working with Layers Automating Photoshop Preset Manager
History The History panel History settings and memory usage History brush Use of history versus undo Snapshots Non-linear history
When files won't open Save often Background Saving Normal saves Using Save AsЄХ- to save images
File formats Photoshop native file format Smart PSD files Large Document (PSB) format TIFF (Tagged Image File Format) Pixel order Byte order Save Image Pyramid TIFF compression options Flattened TIFFs JPEG PNG Photoshop PDF
Adobe Bridge CC The Bridge interface Making Bridge CS6 work with Photoshop CC Custom work spaces in Bridge Opening files from Bridge Slideshows Mini Bridge
Camera Raw 8.0 DNG and transparency support Opening photos from Bridge via Camera Raw Easter eggs
2 Configuring Photoshop What you will need Macintosh Windows
The ideal computer setup Choosing a display Video cards
HiDPI (Retina displays) Retina display and default zoom settings Retina display support Display calibration and profiling Calibration hardware The calibration/profiling procedure White point Gamma Luminance The profiling process Do you want good color or just OK color? Color management settings Synchronizing the Color Settings Extras Backing up your image data Protecting the power supply
Photoshop preferences General preferences Interface preferences
Sync Settings The synchronization process
File Handling preferences Camera Raw preferences TIFF and PSD options Recent File list
Performance preferences Memory usage 32-bit and 64-bit RAM limits
History & Cache Scratch disks Scratch disk performance Interface connection Hard drive speed
Cursors preferences Transparency & Gamut Color Picker gamut warning
Units & Rulers Guides, Grid & Slices Plug-ins Type preferences Ensuring the preferences are saved
3 Camera Raw Image Processing Camera Raw advantages
The new Camera Raw workflow Does the order matter? Raw capture JPEG capture Editing JPEGs and TIFFs in Camera Raw Alternative Raw processors
A basic Camera Raw/Photoshop workflow Camera Raw support DNG compatibility
Getting raw images into Photoshop Image ingestion Importing images via Photo Downloader Tethered shoot imports Tethered shooting via Canon EOS Utility Importing images via other programs Import Images from Device (Mac only)
Basic Camera Raw image editing Working with Bridge and Camera Raw General controls for single file opening Full size window view
General controls for multiple file opening Opening raw files as Smart Objects Saving photos from Camera Raw The histogram display Image browsing via Camera Raw
Camera Raw preferences Default Image Settings Camera Raw cache DNG file handling JPEG and TIFF handling
Camera Raw cropping and straightening How to straighten and crop
Basic panel controls White balance Using the white balance tool
Process Versions The Process 2012 tone adjustment controls Exposure Contrast Highlights and Shadows Whites and Blacks Suggested order for the Basic panel adjustments
Preserving the highlight detail When to clip the highlights How to clip the shadows
Shadow levels after a conversion Digital exposure How Camera Raw interprets the raw data
Basic panel image adjustment procedure Auto tone corrections Camera-specific default settings
Clarity Negative clarity
Vibrance and Saturation Tone Curve panel Point Curve editor mode RGB Curves
Correcting a high contrast image HSL/Grayscale panel Recovering out-of-gamut colors Adjusting the hue and saturation
Lens Corrections panel Accessing and creating custom lens profiles
Lens Corrections: Color tab Chromatic aberration Defringe sliders The Defringe controls in use Eyedropper tool mode Localized adjustments: Defringe slider
Effects panel Post Crop Vignetting control Post Crop Vignette style options Highlights slider Adding Grain effects
Camera Calibration panel New Camera Raw profiles Camera look settings profiles
Custom camera profile calibrations DNG Profile Editor
Camera Raw as a Photoshop filter Spot removal tool Creating circle spots Synchronized spotting with Camera Raw Visualize spots Creating brush spots Deleting spots Red eye removal
Adding a new brush effect Editing brush adjustments Previewing the brush stroke areas Auto masking
Darkening the shadows Hand-coloring in Color mode Graduated filter tool Graduated color temperature adjustment
Radial filter adjustments Correcting edge sharpness with the radial filter
Camera Raw settings menu Export settings to XMP Update DNG previews Load SettingsЄХ- Save Settings... Camera Raw defaults
Presets panel Saving and applying presets Copying and synchronizing settings
Synchronizing different process versions Legacy presets Working with Snapshots
DNG file format The DNG solution DNG compatibility Saving images as DNG Lossy DNG DNG Converter
4 Sharpening and noise reduction When to sharpen Why one-step sharpening is ineffective Capture sharpening Capture sharpening for scanned images
Process versions Improvements to Camera Raw sharpening Sample sharpening image
Detail panel Sharpening defaults The sharpening effect sliders Amount slider Radius slider The suppression controls Detail slider Interpreting the grayscale previews Radius and Detail grayscale preview
Masking slider Masking slider example
Some real world sharpening examples Sharpening portrait images Sharpening landscape images Sharpening a fine-detailed image
How to save sharpening settings as presets Capture sharpening roundup
Selective sharpening in Camera Raw Negative sharpening Extending the sharpening limits How to apply localized sharpening Negative sharpening to blur an image
Noise removal in Camera Raw Process Versions and noise reduction Detail panel Noise Reduction sliders Color noise
Non-raw image noise reduction Adding grain to improve appearance of sharpness Localized noise reduction in Camera Raw Localized moirLК removal in Camera Raw
Shake Reduction filter The Shake Reduction controls Repeat filtering Smart object support Blur direction tool How to get the best results Creating a depth of field brush
5 Image Editing Essentials Pixels versus vectors Photoshop as a vector program Image resolution terminology ppi: pixels per inch lpi: lines per inch dpi: dots per inch Desktop printer resolution Choosing the right pixel resolution for print
The optimum number of pixels Repro considerations
The relationship between ppi and lpi But we always use 300 ppi!
Basic pixel editing The image histogram The Histogram panel
Basic Levels editing and the histogram Bit depth 8-bit versus 16-bit image editing 16-bit and color space selection Comparing 8-bit with 16-bit editing
The RGB edit space and color gamut Direct image adjustments Adjustment layers approach Adjustments panel controls Properties panel controls Maintaining focus in the Properties panel
Levels adjustments Analyzing the histogram Using Levels to improve the contrast
Curves adjustment layers On-image Curves editing
Direct Curves dialog Saving and loading curves Using Curves in place of Levels Output levels adjustments Using Curves to improve contrast Curves luminance and saturation Luminosity and Color blending modes Curve presets Locking down portions of a curve Creating a dual contrast curve
Brightness and Contrast Correcting shadow and highlight detail Amount Tonal Width Radius Color Correction Midtone Contrast
Auto image adjustments Match Color corrections Enhance Brightness and Contrast
Color corrections Color Balance adjustments Basic color balancing with Levels Color corrections using Curves Hue/Saturation Vibrance Color Lookup adjustments Photo Filter Multiple adjustment layers Adjustment layer masks
Properties panel mask controls Editing a mask using the masks controls
Live shape properties Blend mode adjustments
Cropping Entering measurement units Delete cropped pixels Crop ratio modes Landscape and portrait mode crops Crop tool presets Crop overlay display Crop tool options
Front Image cropping Disable edge snapping
Selection-based cropping Canvas size Big data Perspective crop tool
Content-aware scaling How to protect skin tones How to remove objects from a scene Image rotation
6 Black and white Converting color to black and white Dumb black and white conversions Smarter black and white conversions Black & White adjustment presets Split color toning using Color Balance Split color toning using Curves adjustments Split color toning using a Gradient Map
Camera Raw black and white conversions Pros and cons of the Camera Raw approach HSL grayscale conversions Camera Calibration panel tweaks
Camera Raw Split Toning panel Saturation shortcut Camera Raw color image split toning
Black and white output Advanced B&W Photo tips
7 Extending the dynamic range High dynamic range imaging HDR essentials Alternative approaches Bracketed exposures
Photomatix Pro Displaying deep-bit color
Capturing a complete scenic tonal range HDR shooting tips HDR File formats How to fool Merge to HDR
Basic tonal compression techniques Blending multiple exposures Camera Raw adjustments using Process 2012 Processing HDR files in Camera Raw The Camera Raw options
Merge to HDR Pro Response curve Tone mapping HDR images Local Adaptation Removing ghosts How to avoid the ЄХЦHDR' look
Smooth Edges option HDR toning example How to smooth HDR toned images
Transform commands Repeat Transforms Interpolation options Numeric Transforms Transforming selections and paths Transforms and alignment Warp transforms
Puppet Warp Pin rotation Pin depth Multiple pin selection Smart Objects Drag and drop a document to a layer
Smart Objects
Photoshop paths Pen path modes Drawing paths with the pen tool Pen path drawing example Pen tool shortcuts summary Rubber Band mode
Multi selection path options Vector masks Isolating an object from the background
10 Blur, optical and lighting effects filters Filter essentials 16-bit filters Blur filters Adding a Radial Blur or Spin blur to a photo Average Blur Gaussian Blur Motion Blur Surface Blur Box Blur Shape Blur Lens Blur Depth of field effects
Blur Gallery filters Iris Blur Radius field controls Blur Tools options Tilt-Shift blur Blur ring adjustments Field Blur Applying a Blur Gallery filter to a video clip
New Smart Object support Blur Gallery filters on video layers Smart objects and selections Blur Gallery filter with a smart object plus mask
Smart Filters Applying Smart Filters to pixel layers Lens Corrections Custom lens corrections Selecting the most appropriate profiles
Adobe Lens Profile Creator Interpolating between lens profiles Lens Correction profiles and Auto-Align
Adaptive Wide Angle filter How the Adaptive Wide Angle filter works Applying constraints Rotating a constraint Saving constraints Constraint line colors Polygon constraints Calibrating with the Adaptive Wide Angle filter Editing panorama images Lighting Effects filter Properties panel adjustments
Filter Gallery
11 Image management The Bridge solution Configuring the General preferences Launching Bridge Rotating the thumbnails and preview
Arranging the Bridge contents Customizing the panels and content area Bridge workspace examples Working with multiple windows Slideshow mode Thumbnail settings Cache management Advanced and miscellaneous preferences One-click previews Deleting files Stacking images Auto-stacking
Bridge automation Renaming images Renaming schemes Undoing a Batch Rename Applying Camera Raw settings
Mini Bridge The Mini Bridge interface View options Filter and sort menus Navigation Searching images
12 Print output Print sharpening Judge the print, not the display High Pass filter edge sharpening technique Soft proof before printing Managing print expectations
Making a print Photoshop Print dialog Printer selection Color Management Rendering intent selection Hard Proofing Position and Size Print selected area
Ensuring your prints are centered (Mac) Printing Marks Functions
Saving operating system print presets Print output scripting
Configuring the Print Settings (Mac and PC) Photoshop managed color on Windows Custom print profiles
13 Automating Photoshop Working with Actions Playing an action Recording actions Troubleshooting actions
Limitations when recording actions Actions only record changed settings Background layers and bit depth Layer naming Inserting menu items
Batch processing actions Exporting and importing presets Creating a droplet
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