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Jason Osipa - Stop Staring. Facial Modeling and Animation Done Right - 3rd Edition+CD [2010, PDF, ENG]
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Stop Staring. Facial Modeling and Animation Done Right - 3rd Edition
#777 Год: 2010 Автор: Jason Osipa Жанр: Анимация, 3D графика, MAYA Издательство: Sybex ISBN: 978-0-470-60990-3 Язык: Английский Формат: PDF Качество: Отсканированные страницы+слой распознанного текста Интерактивное оглавление: Нет Количество страниц: 434 Описание: Animation has got to be the greatest job in the world. When you get started, you just want to do everything, all at once, but can’t decide on one thing to start with. You animate a walk, you animate a run, maybe even a skip or jump, and it’s all gratifying in a way people outside of animation may never be lucky enough to understand. After a while, though, when the novelty aspects of animation start to wear off, you turn deeper into the characters and find yourself wanting to learn not only how to move, but how to act. When you get to that place, you need more tools and ideas to fuel your explorations. Animation is clearly a full-body medium, and pantomime can take years to master. The face, and subtleties in acting such as the timing of a blink or where to point the eyes, can take even longer and be more difficult than conquering pantomime. Complex character, acting, and emotion are almost exclusively focused in the face and specifically in the eyes. When you look at another person, you look at their eyes; when you look at an animated character, you look at their eyes too. That’s almost always where the focus of your attention is whether you mean for it to be or not. We may remember the shots of the character singing and dancing or juggling while walking as amazing moments, but the characters we fall in love with on the screen, we fall in love with in close-ups. Stop Staring is different than what you may be used to in a computer animation book. This is not a glorified manual for software; this is about making decisions, really learning how to evaluate contextual emotional situations, and choosing the best acting approach. You’re not simply told to do A, B, and C; you’re told why you’re doing them, when you should do them, and then, how to make it all possible. Part I ¦ Getting to Know the Face 1 Chapter 1 ¦ Learning the Basics of Lip Sync 3 The Essentials of Lip Sync 4 Speech Cycles 6 Starting with What’s Most Important: Visemes 8 The Simplest Lip Sync 15 Chapter 2 ¦ What the Eyes and Brows Tell Us 21 The Two Major Brow Movements 22 The Upper Lids’ Effect on Expression 24 The Lower Lids’ Effect on Expression 26 Eyelines: Perception vs. Reality 28 Distraction Is the Enemy of Performance 30 Chapter 3 ¦ Facial Landmarking 31 Introduction to Landmarking 32 Landmarking Mouth Creases 35 Landmarking Brow Creases 39 Landmarking the Tilt of the Head 42 Part I I ¦ Animating and Modeling the Mouth 45 Chapter 4 ¦ Visemes and Lip Sync Technique 47 Sync: Wide/Narrow Grows Up 48 The Best Order of Sync Operations 56 Sync Example 1: “What am I sayin’ in here?” 63 Sync Example 2: “Was it boys?” 69 Chapter 5 ¦ Constructing a Mouth and Nose 75 The Best Edge Flow 76 The Big Picture 78 Building the Lips 78 Building the Surrounding Mouth Area 81 Building the Nose 84 Continuing Toward the Jaw and Cheek 87 Building Teeth 88 Building the Tongue 92 The Mouth Wall 95 Chapter 6 ¦ Mouth Keys 97 Order of Operations 98 Preparing to Build a Key Set 99 Default Shapes, Additive Shapes, and Tapering 100 Building the Shapes 114 Part I I I ¦ Animating and Modeling the E yes and Brows 145 Chapter 7 ¦ Building Emotion: The Basics of the Eyes 147 Building an Upper Face for Practice 148 Using “Box Head” 158 Rules of the Game 159 Example Animations 164 Continuing and Practicing 177 Chapter 8 ¦ Constructing Eyes and Brows 179 Building Eyeballs 180 Building the Eye Sockets 183 Building the Brow and Forehead 189 Chapter 9 ¦ Eye and Brow Keys 197 Brow Shapes and Texture Maps 198 Building Realistic Brow Shapes 207 Tying Up Loose Ends 226 Part IV ¦ Bringing It Together 229 Chapter 10 ¦ Connecting the Features 231 Building the Ear 232 Assembling the Head Pieces 237 Chapter 11 ¦ Skeletal Setup, Weighting, and Rigging 245 Skeleton 246 Eyelid Rigs 254 Extra Eye Fun 265 Sticky Lips 270 Chapter 12 ¦ Interfaces for Your Faces 281 The Two Big Problems of Facial Control 282 Buffer Networks 283 Sliders 291 Skeletal Control 301 Layered Controls 304 Corrective, Contextual, XYZ, Half, and Dominant Shapes 308 Just Interface Me 319 Chapter 13 ¦ Squash, Stretch, and Secondaries 321 Local Rigs 322 Global Rigs 326 The “Real” Character Has No Rig! 330 Not Using Wraps Changes a Few Things 331 Tutorial: Rigging Squoosh 332 Gotchas 339 Secondaries 341 Chapter 14 ¦ A Shot in Production 347 Scene 1: Bartender 348 Scene 2: Lack of Dialogue 353 Scene 3: Dunce Cap 363 Scene 4: Salty Old Sea Captain 367 Scene 5: Pink or Blue? 370 Scene 6: Great Life 379 That’s All, Folks! 381 Вторая редакция книги - http://rutracker.org/forum/viewtopic.php?t=1700863 Диск ко второй редакции - http://rutracker.org/forum/viewtopic.php?t=3299918 |
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