Advanced Photoshop Elements 6 For Digital Photographers
#777 Год: 2008 Автор: Philip Andrews Жанр: CG Photoshop Elements Издательство: Focal Press ISBN: 978-0-240-52097-1 Язык: Английский Формат: PDF Качество: Отсканированные страницы Интерактивное оглавление: Нет Количество страниц: 425 Описание: Assume you have exhausted all of the prospects in Adobe\'s awesome Photoshop Elements software program? Feel yet again. In this totally up-to-date essential information, Philip Andrews delves deeper into the software program than ever before prior to with superior suggestions, methods, and techniques to help the skilled Components person consider their skills to the next level. Transfer over and above the fundamentals and find out how to work with raw files. Develop spectacular panoramas with out breaking the bank on a pano digital camera using the Components Photomerge technology. Create skilled-quality multimedia jobs in no time. Using effortless-to-stick to action-by-phase guidelines as well as full shade, inspirational photographs to show methods, Philip shows you how to do all this and a lot more in State-of-the-art Photoshop Components 6 for Digital Photographers. Don't fall guiding the studying curve - instead, permit Philip demonstrate you how to get one action forward! Exclusive Features AND Benefits: *Planet-renowned Factors expert Philip Andrews takes you past the basics to support you get the most from this effective software package *Precise step-by-action guidelines reduce via the fluff so you are going to be perfecting your pictures in no time! *Packed with amazing entire-coloration pictures that will inspire you to take your very own operate to the up coming amount - permit Philip display you what\'s achievable when you dig a tiny deeper
The Next Level The comprehensive Photoshop Elements workflow 4 Elements basics 6 Basic Elements workflow 10 Scanner and Camera Techniques 13 The basics - resolution 14 2.01 How many pixels dol need? 16 The basics - color depth 18 2.02 More colors equal better quality 20 Digital shooting technique 22 2.03 Exposure compensation 24 Frame~by-frame control 25 2.04 Contrast 26 2.05 Color saturation 27 2.06 Image sharpness 28 2.07 White balance control 29 2.08 Applying fine-tuning automatically 33 2.09 Customizing your white balance 34 2.10 Shooting Raw for ultimate control 35 So what is in a Rawfile? 37 The Raw advantage 39 2.11 Shooting workflows 40 Film and print scanners 41 2.12 Scanning resolution - ‘Know where you are going before you start the journey‘ 42 2.13 Color depth 43 2.14 Multi-sample 44 2.15 Highlight and shadow capture 45 2.16 Color cast correction 46 2.17 Dust and scratches 47 2.18 Noise Reduction technologies 48 2.19 Color regeneration features 49 2.20 Scanning workflow So Fixing common shooting problems 51 Fixing common scanning problems 53 Processing Raw files 55 The Photoshop Elements approach to Raw processing 56 3.01 Enabling your Raw camera 57 3.02 Modifying your capture workflow for Raw 59 3.03 Using the Adobe Photo Downloader 61 3.04 The Adobe Camera Raw interface 64 3.05 The Conversion process 83 3.06 Keeping ACR up to date 88 3.07 other Raw plug-ins 88 Photo Organization and Management89 4.01 Add picture details in-camera 90 4.02 Organize photos whilst downloading 4.03 Captioning 4.04 Naming and renaming 4.05 Tagging your photos 4.06 Auto Face Tagging 4.07 Albums and how to group photos 4.08 Using Smart Albums 4.09 Changing your view 4.10 Locating files 4.11 Creating a backup 4.12 Versioning your edits 4.13 Creating Image Stacks Pathways to Editing in Elements Auto eiting summary Automatic editing Editing Options: 5.01 Auto Smart Fix 5.02 Auto Red Eye Fix 5.03 New auto options for version 6 Automating editing of several pictures at once 5.04 Processing multiple files 5.05 Multi-selection editing 5.06 Bulk Red Eye fixing Semi-automatic editing 5.07 Using the Quick Fix Editor Semi-auto editing summary 5.08 Adjust Smart Fix Manual editing 5.09 The Full Edit workspace Manual editing summary New editing options in Photoshop Elements 6 5.10 Guided Edits Non Destructive editing. the professional’s choice 5.11 Adjustment Layers 5.12 ‘All Layers’ tool options 5.13 Blend Modes 5.14 Layer Masking 5.15 Duplicate layers Giving Elements a helping hand 5.16 Borrowing Photoshop features 5.17 Advanced layer masks Advanced selection techniques 6.01 Adding to and subtracting from selections 6.02 Using the Selection Brush 6.03 The Quick Selection Tool 6.04 Advanced refining of selection edges 6.05 Saving and loading selections 6.06 Modifying selections 6.07 Transforming a selection 6.08 Precise control of selection size Understanding layers The magic of Frame layers Masking techniques 6.09 Painting masks with the Selection Brush 147 6.10 Fill and adjustment layer masks 148 7.17 Producing high-key pictures 229 6.11 Using selections with layer masks 149 7.18 Correcting lens problems 231 6.12 ‘Group with Previous’ masks 149 7.19 Change to old 233 6.13 Changing the mode to grayscale 150 7.20 Painterly photos 235 6.14 Desaturate the color file 151 6.15 A more sophisticated approach 153 ' t 6.16 The Convert to Bladt and White feature 154 Professional Retouching 6.17 Custom entries in Convert to Black and White 156 3-01 Addlllg 3 dfeemll efleel 6.18 The Gradient Map conversions 157 3-02 5°lle"l"g l"eel‘le5 6.19 Borrowing Photoshop's Black and White 158 8-03 Ellmlflellllg blel“l5lle5 244 Advanced dodging and burning-in 159 Cl°"e 5lemP l°°l 244 6.20 Using selections to change tone 159 lleellllg 3'05“ l°°l 244 6.21 Erase back through tonal layers 161 59°‘ lleellng 3'05“ 245 6.22 Paint on dodging and burning-in 163 Clelle 513ml? l°°l 5teP'l3Y'5teP 245 6.23 Blend mode Dodge and Burn 164 Heeling 3'U5l' l°°l 5teP'l7Y'5teP 247 Enhance your poorly exposed pictures 165 5Po‘ lleellng 3'05“ t°°l 5teP‘l’Y'5leP 247 6.24 Screening image layers to enhance tones 165 8-04 Re'“°Vl"g the Red 243 6.25 Adding detail to highlights and shadows 168 8-05 Bllglllen EYe5 250 nnted monoentomes 159 8.07 Tone down skin highlights and shadows 251 6.26 Using Hue and Saturation to tone your pictures 170 53mPle all leYe'5 252 6.27 Tinting borrowed from Photoshop 172 Relellell ‘luplleele leYef 252 gout toning 173 8.08 Retouching non-destructively 252 5.23 Select and tone 173 Mask editing adiustments 252 6.29 Two-layer erase 175 U59 Adluflmenl l3Ye'5 252 6.30 Color Variations based split toning 176 6.31 Photoshop's Color Balance split toning in Elements 175 Photo Restoration 253 Black and white and color 178 9_01 Restotatton basics 255 5-32 l-3Yel' "le5l‘ elld gfedlem map 173 9.02 Dust and scratches be gone 258 3°Tde' leCl"‘lgUe5 179 9.03 Uncovering the faded 260 5-33 5l"lPle b°ldel5 "9 9.04 Levels based color restoration 262 6.34 Sophisticated edges using grayscale masks 180 6.35 Creating frames with Frame layers 181 5-35 Add N°l5e llllef 133 9.10 Adjusting shadow tones 267 5-37 Gleln llllel 134 9.11 Recreating missing content 268 6.38 Non-destructive textures 185 Advanced sharpening secrets 186 6.39 Unsharp Masking to the rescue 187 6.40 Adjust Sharpness for the ultimate control 189 6.41 Another approach 190 Making Better Panoramas 271 Advanced shooting techniques 279 Darkroom Techniques on the Desktop 191 7.02 Instant film transfer effect 7.03 Using the Unsharp Mask filter to add contrast 198 7.04 Lith printing technique 200 1054 tzoeos and zoom 235 7.05 Correcting perspective problems 202 1o_o5 Depth of fiekj 235 7.06 Add emphasis with saturation 204 1055 white oatanee 237 7.08 Cross-processing effects 206 1o_07 tinting 233 7-09 Dlgltel llelld e°l°'l"g 203 10.08 Ensuring consistent overlap 289 7.10 Realistic depth of field effects 211 1o_og oeanno with the moving subject 290 7.11 Beyond the humble drop shadow 215 10_10 Aavanoed panorama editing in 7.12 Ring flash shadow 219 pnotoenoo gtetnents 5 292 7-13 l5le_"‘e"l5 (“W95 le3l"'e5_ 220 10.11 Fixing misaligned picture parts 295 7-14 U5'"g l’ll°l°5ll°P'5 CU'Ve5 1" Elemems 223 10.12 Coping with extremes of brightness 295 7.15 Combining images seamlessly 224 7.16 Believable montages - a step further 226 .....and other
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