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Born in 1980 in the campus of Sangeet Research Academy, Kolkata, Kaushiki’s training began at the age of two under her mother Chandna Chakrabarty. Soon Kaushiki became a “ganda-bandh” shagird (disciple) of her father’s guru, Gnan Prakash ghosh, but on account of his old age, resumed training under her father, Pandit Ajay Chakrabarty. This helped her shape up to be the versatile artist she is today. One of the central tenets of Kuashiki’s music is voice culture. She doesn’t like to be typecast into grooves like classical or light musician; her flexible voice demonstrates a capability of adapting to any style. Kaushiki recently performed at the celebration of Pandit Jasraj’s distinguished musical career in Kolkata. Her performance moved Jasrajji so much, that it prompted him to announce that it was in Kaushiki that he found the one who would keep the lamp burning as the worthiest successor of the classical vocal music tradition of India.

Though still only in her twenties, Kaushiki Chakrabarty has become one of the most revered singers in Indian classical music. Jameela Siddiqi introduces her performance of a single piece, Raag Abhogi, recorded earlier this year at the Darbar Festival in Leicester.
This performance was recorded for World Routes in April this year, at the Darbar Festival in Leicester, accompanied by Ajay Joglekar on harmonium, and Sanju Sahai on tabla. Jameela Siddiqi talks to Kaushiki about the Festival, about her voice, and her about the one Raag she sings in the programme, Raag Abhogi, with words dedicated to India's flute-playing god, Lord Krishna.

Kaushiki Chakrabarty (vocal)
Ajay Jogelkar (harmonium)
Sanju Sahai (tabla)