EAC extraction logfile from 6. October 2007, 15:51 for CDDeborah Cox / Destination Moon

Used drive : HL-DT-STRW/DVD GCC-4520B Adapter: 0 ID: 1Read mode : Secure with NO C2, accurate stream, disable cacheRead offset correction : 6Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines 44.100 Hz; 16 Bit; Stereo

Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interface

Range status and errorsSelected range Filename D:\INCOMING\_RELEASES\deborah cox - destination moon\Deborah Cox - Destination Moon.wav

Peak level 96.3 % Range quality 99.9 % CRC 81A3FE80 Copy OK

No errors occured

End of status report

REM GENRE JazzREM DATE 2007REM DISCID 8A0A1C0CREM COMMENT "ExactAudioCopy v0.95b4"PERFORMER "Deborah Cox"TITLE "Destination Moon"FILE "Deborah Cox - Destination Moon.wav" WAVE TRACK 01 AUDIO TITLE "Destination Moon" PERFORMER "Deborah Cox" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "What a Difference a Day Made" PERFORMER "Deborah Cox" INDEX 00 02:41:02 INDEX 01 02:41:59 TRACK 03 AUDIO TITLE "Misery" PERFORMER "Deborah Cox" INDEX 00 06:49:01 INDEX 01 06:49:46 TRACK 04 AUDIO TITLE "Baby, You've Got What It Takes" PERFORMER "Deborah Cox" INDEX 00 10:31:13 INDEX 01 10:31:48 TRACK 05 AUDIO TITLE "This Bitter Earth" PERFORMER "Deborah Cox" INDEX 00 14:06:42 INDEX 01 14:08:36 TRACK 06 AUDIO TITLE "Squeeze Me" PERFORMER "Deborah Cox" INDEX 00 18:13:51 INDEX 01 18:14:48 TRACK 07 AUDIO TITLE "New Blowtop Blues" PERFORMER "Deborah Cox" INDEX 00 20:37:09 INDEX 01 20:38:12 TRACK 08 AUDIO TITLE "Blue Skies" PERFORMER "Deborah Cox" INDEX 00 23:37:58 INDEX 01 23:38:43 TRACK 09 AUDIO TITLE "I Don't Hurt Anymore" PERFORMER "Deborah Cox" INDEX 00 27:45:32 INDEX 01 27:46:64 TRACK 10 AUDIO TITLE "Smoke Gets in Your Eyes" PERFORMER "Deborah Cox" INDEX 00 31:13:54 INDEX 01 31:14:38 TRACK 11 AUDIO TITLE "September in the Rain" PERFORMER "Deborah Cox" INDEX 00 35:47:08 INDEX 01 35:48:33 TRACK 12 AUDIO TITLE "Look to the Rainbow" PERFORMER "Deborah Cox" INDEX 00 39:10:60 INDEX 01 39:12:19

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Artist tributes are tricky pieces of work. Most of the time, they aren't recorded by the biggest names of the moment, and they're usually sub-par. Instead of putting out an album of new music after a five-year hiatus, and twelve years into her career, Canadian R&B diva Deborah Cox released Destination Moon, a tribute to jazz legend Dinah Washington. Cox refers to this album as a personal tribute to her legend growing up. Frankly, she does justice to the works, which make for a strong representation of Washington's hits over her far too brief career. Cox's voice, in all its purity, has never sounded better, with the honey tones in her raspy instrument flourishing throughout the album's big moments. Unfortunately, the album is full of awkward missteps that steer this work off course: Cox doesn't always connect with the songs. Many of the tracks seem robotic; Cox sings them well, but doesn't emote to the best of her ability, something that has always been a flaw of hers in the past. Therefore, Moon appears to be more of a lifetime biopic of Dinah Washington's musical career than a genuine blockbuster. For an artist like Washington, who has garnered much respect even to this day for her creativeness and emotional capacity, Cox suffers in both attributes. Considering Moon is supposed to be a tribute, as such it seems flat. In addition, the timing of the album seems like an odd choice for Cox; there is a five-year gap between this album and The Morning After (excluding Remixed, a collection of dance re-recordings), but this may be because of her label shift from J-Records to Decca. And because she has stayed out of the limelight for some time, jumping back into the music scene with a tribute doesn't seem like the smartest move on her part. In addition, Cox is an R&B diva who is known for her dance tracks and smooth grooves. Jazz seems awkward for the Canadian superstar, who handles the shift well vocally, but seems to have missed the mark in most other places. Ultimately, the album is too indulgent on Cox's part, and in order for the whole piece to be credible, especially for Cox, whose popularity has slowly faded since her newest album, she needed to nail every part of the album, not just the vocals.