EAC extraction logfile from 9. February 2007, 18:18 for CDNoel Ellis / Noel Ellis

Used drive : LITE-ON LTR-16102B Adapter: 1 ID: 1Read mode : Secure with NO C2, accurate stream, disable cacheRead offset correction : 12Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines 44.100 Hz; 16 Bit; Stereo

Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interface

Track 1 Filename 01 - To Hail Salassie.wav

Pre-gap length 0:00:02.00

Peak level 98.8 % Track quality 100.0 % Test CRC C765F4C5 Copy CRC C765F4C5 Copy OK

Track 2 Filename 02 - Stop Your Fighting.wav

Peak level 98.8 % Track quality 100.0 % Test CRC 85667910 Copy CRC 85667910 Copy OK

Track 3 Filename 03 - Rocking Universally.wav

Peak level 98.8 % Track quality 100.0 % Test CRC A09C008E Copy CRC A09C008E Copy OK

Track 4 Filename 04 - Marcus Garvey.wav

Peak level 98.8 % Track quality 100.0 % Test CRC 275F39F8 Copy CRC 275F39F8 Copy OK

Track 5 Filename 05 - Dance With Me.wav

Peak level 98.8 % Track quality 100.0 % Test CRC 64243D93 Copy CRC 64243D93 Copy OK

Track 6 Filename 06 - Memories.wav

Pre-gap length 0:00:01.42

Peak level 98.8 % Track quality 100.0 % Test CRC 3C8B582C Copy CRC 3C8B582C Copy OK

No errors occured

End of status report

Noel is the son of legendary Studio One/Treasure Isle recording artist Alton Ellis, and this self-titled debut was recorded in Toronto in 1979 by studio wizard Jerry Brown for the pioneering Summer Records - often cited as Canada's answer to Lee Perry's Black Ark Studios. Noel Ellis features six dub-loved, heavy yet ethereal tracks, with contributions from OG reggae maestros Jackie Mittoo, Willi Williams, and Johnny Osbourne. The eponymous classic lost full-length includes the hugely influential version of 'Rocking Universally,' which was recorded by The Clash as 'Armagedion Time.' The poignantly autobiographical 'Memories' (about Noel's upbringing in Jamaica) is a highpoint as well. 'Stop Your Fighting' was a universal anti-materialism/war plea that we should still heed today, while 'Marcus Garvey' was delivered in Noel's playful style, despite a solemn rallying cry of 'Africa it must be free.'

Noel Ellis evoked a transcendent majesty, and the album's economical performances were a blessing compared to certain overproduced recordings of the era. Tasteful keys, varied percussion, essential echo, conquering dub changeovers, and Noel's impeccable mic control gave an otherworldly twist to Summer's remarkable drum and bass sound. It was an end-to-end burner for midnight tokers and cool rulers alike.

Vocals: Noel Ellis
Drums: Donovan & Bucksie & Colin Suban
Bass: Tony Hibberts
Guitar: Matt Shalle & Kirk Salom & Willie Williams
Keyboards: Jackie Mittoo & Tony White & Willie Williams
Percussions: Willie Williams & Bongo Gene & H. Miller & J. Osborne