They are all sons of Bitches Brew. In 1969, the year when he triumphed once again in Juan, Miles Davis recorded Bitches Brew, legendary album in which, not caring about being « cool », he turned to a new style made of improvisations influenced by rock and funk, in the manner of James Brown or Sly & The Family Stone, having pianists, drummers and bass players play simultaneously and especially using pianos and electric bass guitars. A phenomenal commercial success! The side-men involved in the recording of this anthology include Bennie Maupin, who was later to become saxophonist of the « Headhunters », the jazz-funk combo of Herbie Hancock. And, at his side in the pinede, the children of the « Prince of darkness », starting with Wallace Roney, strongly approved of by Miles who on one legendary evening gave him his trumpet: his brother Antoine, brilliant saxophonist; Aloysius Foster (Al to his friends), drummer ever present on the majority of the albums which the great man recorded during this period. Not forgetting double-bass player Buster Williams, pianist Bobby Irving and DJ Logic on the decks. « Pure blue note » jazz under the stars of Juan, at the crossroads of legends.