179
00:23:35,875 --> 00:23:37,999
Почему ты хочешь отдать эти вещи кому-то,

180
00:23:38,166 --> 00:23:44,415
кто думает, что ты мелкий, глупый,
смешной, тупой, маленький человек?

181
00:23:44,583 --> 00:23:47,482
Потому что, даже если вы, как бы
думаете, о таких вещах...

182
00:23:47,583 --> 00:23:49,082
Я всё равно люблю вас...

183
00:23:49,791 --> 00:23:52,749
Вероятно, это или глупость или мазохизм.

184
00:23:52,791 --> 00:23:54,749
Я не знаю.

185
00:24:16,458 --> 00:24:19,582
Что вы должны?
Что вы должны делать?

186
00:24:26,250 --> 00:24:28,249
Ты, к стене.

187
00:24:38,583 --> 00:24:40,999
Это такая огромная стена.

188
00:24:44,125 --> 00:24:45,874
Так тяжело.

189
00:24:55,708 --> 00:24:57,082
Отпусти стену.

190
00:24:57,250 --> 00:24:58,790
Ох...

191
00:24:58,958 --> 00:25:00,707
Ох!

192
00:25:01,958 --> 00:25:04,290
Отпусти стену.

193
00:25:25,708 --> 00:25:27,457
Здесь вообще не должно быть стен.

194
00:25:27,625 --> 00:25:30,790
- Что?
- Здесь вообще не должно быть стен.

195
00:26:02,791 --> 00:26:06,374
Они связали меня очень быстро.

196
00:26:06,541 --> 00:26:08,582
Кто связал тебя быстро?

197
00:26:08,750 --> 00:26:10,707
Кто тебя связал?

198
00:26:10,875 --> 00:26:12,749
Я не знаю.

199
00:26:20,708 --> 00:26:23,124
В любом случае, они знали,
как надо хорошо связывать.

200
00:26:23,291 --> 00:26:24,957
Они знали, что?

Формат : Matroska
Версия формата : Version 2
Размер файла : 1,74 Гбайт
Продолжительность : 1 ч. 50 м.
Общий поток : 2248 Кбит/сек
Дата кодирования : UTC 2013-09-30 20:44:15
Программа кодирования : mkvmerge v6.2.0 ('Promised Land') built on Apr 28 2013 12:22:01
Библиотека кодирования : libebml v1.3.0 + libmatroska v1.4.0

Видео
Идентификатор : 1
Формат : AVC
Формат/Информация : Advanced Video Codec
Профиль формата : High@L4.1
Параметр CABAC формата : Да
Параметр ReFrames формата : 10 кадров
Идентификатор кодека : V_MPEG4/ISO/AVC
Продолжительность : 1 ч. 50 м.
Битрейт : 2049 Кбит/сек
Ширина : 768 пикс.
Высота : 576 пикс.
Соотношение сторон : 4:3
Частота кадров : 24,000 кадр/сек
Цветовое пространство : YUV
Подвыборка цветности : 4:2:0
Битовая глубина : 8 бит
Тип развёртки : Прогрессивная
Бит/(Пиксели*Кадры) : 0.193
Размер потока : 1,56 Гбайт (89%)
Библиотека кодирования : x264 core 133 r2334 a3ac64b
Настройки программы : cabac=1 / ref=10 / deblock=1:-3:-3 / analyse=0x3:0x133 / me=umh / subme=9 / psy=1 / psy_rd=1.00:0.00 / mixed_ref=1 / me_range=24 / chroma_me=1 / trellis=2 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=0 / chroma_qp_offset=-2 / threads=3 / lookahead_threads=1 / sliced_threads=0 / nr=0 / decimate=0 / interlaced=0 / bluray_compat=0 / constrained_intra=0 / bframes=5 / b_pyramid=2 / b_adapt=2 / b_bias=0 / direct=3 / weightb=1 / open_gop=0 / weightp=2 / keyint=240 / keyint_min=24 / scenecut=40 / intra_refresh=0 / rc_lookahead=60 / rc=2pass / mbtree=1 / bitrate=2049 / ratetol=1.0 / qcomp=0.60 / qpmin=0 / qpmax=69 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / vbv_maxrate=62500 / vbv_bufsize=78125 / nal_hrd=none / ip_ratio=1.40 / aq=1:1.00
Язык : English
Коэффициенты матрицы : BT.709-5, BT.1361, IEC 61966-2-4 709, SMPTE RP177

Аудио
Идентификатор : 2
Формат : AC-3
Формат/Информация : Audio Coding 3
Расширение режима : CM (complete main)
Идентификатор кодека : A_AC3
Продолжительность : 1 ч. 50 м.
Вид битрейта : Постоянный
Битрейт : 192 Кбит/сек
Каналы : 1 канал
Расположение каналов : Front: C
Частота : 48,0 КГц
Битовая глубина : 16 бит
Метод сжатия : С потерями
Размер потока : 152 Мбайт (9%)
Язык : English

Текст
Идентификатор : 3
Формат : PGS
Режим смешивания : zlib
Идентификатор кодека : S_HDMV/PGS
Идентификатор кодека/Информация : The same subtitle format used on BDs/HD-DVDs
Язык : English

Меню
00:00:00.000 : en:00:00:00.000
00:05:45.958 : en:00:05:45.958
00:10:12.250 : en:00:10:12.250
00:17:22.542 : en:00:17:22.542
00:28:39.000 : en:00:28:39.000
00:34:27.500 : en:00:34:27.500
00:41:16.000 : en:00:41:16.000
00:47:14.917 : en:00:47:14.917
00:55:59.875 : en:00:55:59.875
01:02:53.042 : en:01:02:53.042
01:15:23.958 : en:01:15:23.958
01:19:41.875 : en:01:19:41.875
01:28:57.542 : en:01:28:57.542
01:37:59.792 : en:01:37:59.792

Jane Arden's The Other Side of the Underneath is a seriously disturbing film. It is also an uncharacteristically bold one. I think that in a lot of ways it is quite similar to Bernardo Bertollucci's Partner (1968), a film about a young revolutionary, played by Pierre Clementi, whose life changes dramatically when a double appears and foils his plan to commit suicide. In the opening scene of The Other Side, a schizophrenic woman (Sheila Allen, The Legend of Spider Forest) is pulled out of a lake and placed in an asylum.

The film is based on director Arden's "A New Communion for Freaks, Prophets and Witches", a play she staged with the Holocaust women's theatre troupe. It is comprised of a number of different episodes, each exploring a specific theme – female exploitation, voyeurism, sexual deprivation, etc. The Other Side is also a reflection of its creator's brush with madness.

The key concept behind The Other Side is intriguing. The film argues that madness is part of a cycle that leads to sanity. It also stresses that this complex process is often misunderstood by those who have never experienced madness. Cultural and societal taboos are cited amongst the main reasons for its existence.

The Other Side is also a radical feminist film, one that does not shy away from promoting chaos as a form of liberation. Purely political statements, however, are not part of the film's narrative.

Viewers unfamiliar with director Arden's legacy will undoubtedly be shocked with The Other Side. This is an extreme piece of cinema, which I suspect even the most liberal of viewers may find difficult to tolerate. There is a sense of anger in it that borders nihilism in its most pure form.

Shot on locations in Wales, The Other Side does not impress with smooth and elegant visuals. On the contrary, cinematographers Jack Bond and Aubrey Dewar's lensing is notably raw. Even the large panoramic vistas from the second half of the film look rough.

I believe it is fair to say that David Mingay's editing compliments the film's lack of traditional rhythmic form. Sally Minford's music is also fitting, though at times it comes dangerously close to being unnerving (the protracted cello solos in particular).

Finally, upon learning about the film's controversial history - many of the actors apparently took large amounts of drugs during the shooting of the film; as revealed by Natasha Morgan in an interview offered in the supplemental features section of this disc, a couple even died – some prospective viewers might rush to dismiss it without even seeing it. I think that this would be very unfortunate. While certainly controversial and difficult to endure, The Other Side is, without a shadow of a doubt, a very impressive achievement.

The Other Side is a film Dusan Makavejev would have loved to direct. It is controversial, provocative and very, very disturbing. Bravo BFI for giving us the opportunity to see these forgotten films! Highly Recommended.